![]() ![]() The setting, concepts and stories it tells are original and interesting, as are the random objects you discover, the 'Numenera' of the title, many of which serve no purpose but are fun to read about. Actual Rating: 8.5/10ģ1h PlayedSome quality writing in this mildly thought-provoking RPG, and there's a lot of it! Surprisingly addictive for such a text-heavy game, and I did my best to strike a non-violent path through its meandering narratives, locations and communities. If you aren't afraid of a lot of reading and weirdness, it's definitely a game to check out. So not a perfect game by any stretch, but the writing and ideas on display in Tides of Numenera are really unique, and do the Numenera setting justice. It's not usually a big deal, but I had text popups stick on screen for a while after they were supposed to like 20+ times throughout my playthrough, and load times on PS4 are also pretty slow. The mystery is great, but sometimes it just goes too hard. Secondly, the jargon and weirdness is extremely dense, even hard to follow for someone such as myself who has read the Numenera tabletop RPG corebooks and understands many references. Firstly, the combat (when it happens) is serviceable, but nothing particularly special. ![]() For someone who's interested in a very dialogue and exploration heavy RPG with minimal combat, it's a great time. Characters and settings are interesting and unexpected, and there's a reasonable degree of player agency involved as well. The Numenera setting is used and added to extremely well (although it gets a bit overwhelming at times), and there's a massive amount of well written dialogue and lore to discover. Tides of Numenera is more of a book than a game, but it's a really good book. ![]()
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![]() wxHex Editor has a GUI and is multiplatform.which are more than enough for regular usage. setting Diff Viewer 2 'C:Program FilesBeyond Compare 4BCompare. The editor has many options like search, go to location, insert, delete bytes etc. An efficient and easy to use cmdline tool for editing files in hex mode is ncurses-hexedit which is available in Synaptic package manager on Ubuntu. ![]() A file can be viewed/edited in hex mode from vi using the :%!xxd and :%!xxd -r combination but it is not too strong and needs careful editing.If you select individual files then you can get an option to remember a file and compare the currently selected file with a remembered file. Systems programmers need a hex editor frequently. If you select two files in a window you can get a context menu option (when you right click) to compare the files (A to B or B to A). Posted on 21 Jul, 2012 27 Feb, 2015 Author Mailman Categories PROGRAMMING Tags file compare diff merge linux Leave a comment on Using diff and patch on Linux Linux binary editors and file diff viewers That’s all you need to get started with diff and patch. Then create a patch with the following command: diff -rupN original/ new/ > original.patch test your understanding of the file format by interpreting this by hand. Make any changes required in the directory new/. This page describes specialized PLINK input and output file formats which are. To create a patch for an entire source tree, make a copy of the tree: cp -R original new ![]() To apply a patch to a single file, change to the directory where the file is located and call patch: patch original.patch ![]() ![]() ![]() ![]() Perhaps one hearing is all a theory is entitled to, but one may plead that Ricardo deserves at least a rehearing–his theory is relatively more widely misunderstood today than it was in his lifetime. If a theory once acquires an established meaning, each generation of economists bequeaths this meaning to the next, and it is almost impossible for a famous theory to get a fresh hearing. The basic reason Ricardo’s theory is often misinterpreted is that it was often misinterpreted in the past. Stigler, commenting briefly on the importance of the fame and reputation of ideas in their historical transmission, remarked on the difficulty for scholars of ever being able to give a second chance to ideas that have been initially misjudged: ![]() Top of pageġ In a famous 1958 article on Ricardo’s theory of value, the American economist George J. A careful reading of both sources, as well as a close examination of the handling of Spence’s text by Howard, reveal that, in order to import certain aspects of the Land Plan into his own concept, the latter took with the former’s ideas liberties that verge on intellectual betrayal. As such, it seems difficult to reconcile with Spence’s revolutionary ideas, which include the dispossession of land-owners as well as the ownership and control of all parish land by democratic parish corporations. Howard’s project is rather socially conservative and based on class collaboration, inter-individual co-operation and mutual aid, all within an appeased version of capitalism (the original title of his book was To-morrow! A Peaceful Path to Real Reform until 1902). After characterising the social and political meaning of Spence’s “plan” and examining the content of the “unique combination of proposals” that is the Garden City in theory, the article seeks to explore how Howard’s borrowing from Spence takes part in an attempt to answer the so-called “land question” that runs through the 18 th and 19 th centuries. One of these sources is the famous “Land Plan” of the revolutionary radical Thomas Spence (1750-1814). Une lecture attentive des deux textes, et un examen rapproché de l’usage de celui de Spence par Howard, montre qu’afin d’intégrer certains aspects du plan foncier dans son montage conceptuel, le second a pris avec la pensée du premier certaines libertés qui ressemblent à de la trahison intellectuelle.Įbenezer Howard, the father of the “Garden City” idea, explains in one of the concluding chapters of his Garden Cities of To-morrow (1898) that his concept is only the combination of three pre-existing ideas in the area of land and urban reform. Elle semble difficilement conciliable avec les idées révolutionnaires de Spence, dont le plan foncier se fondait sur l’expropriation des grands propriétaires terriens et l’appropriation des terres par des municipalités démocratiques fondées sur les paroisses. Après avoir caractérisé le sens social et politique du « plan » de Spence, et examiné le contenu de la « combinaison unique de propositions » qu’est en théorie la cité-jardin, le présent article s’attache à examiner comment l’emprunt de Howard à Spence s’inscrit dans un projet de réponse à la « question foncière » qui traverse les 18 e et 19 e siècles. La tentative de Howard est plutôt socialement conservatrice et fondée sur la collaboration des classes, la coopération inter-individuelle et le mutualisme, dans le cadre d’un capitalisme apaisé (le titre original de son ouvrage était Demain ! Une voie paisible vers la réforme jusqu’en 1902). L’une de ces sources est le « plan foncier » (« Land Plan ») du radical révolutionnaire Thomas Spence (1750-1814). Ebenezer Howard, le père de l’idée de “cité-jardin », explique à la fin de son ouvrage Les cités-jardins de demain ( Garden Cities of To-morrow 1898) que son concept n’est rien d’autre que la combinaison de trois idées préexistantes dans le domaine de la réforme agraire et urbaine. ![]() ![]() ![]() ![]() ![]() You don't have to become "a publisher" to master the basics of InDesign to a level where even one-shot, throwaway projects are easy, but it's either learn those basics (and the complexities and nuances of things like graphics formats and conversions, even "basically") or. There's not really any intersection between the pieces here. It is, in my experience so far, almost unusable for projects without careful conversion to a more standard layout/print/export format. not simple, since it is one of the formats that can actually contain a wide variety of component elements - more of a "package" than a format in itself. This is a new, craptastic format 100% optimized for web advantage, and I was disappointed when InDesign added direct support for it, simply because it's going to promote frustrated amateur attempts and methods. Your point with WEBP is just a reflection of that. ![]() (Mainly in that it has no "helper" features to enable slapdash amateur use, as many freebie and OS apps do - it will assume that if you do something, it's because you intended to.) If your goal is minimum time and effort, InDesign probably isn't the right tool for a number of reasons. To mathematically combine values between the copy and paste areas, in the Paste Special dialog box, under Operation, click the mathematical operation that you want to apply to the data that you copied.Īdditional options determine how blank cells are handled when pasted, whether copied data is pasted as rows or columns, and linking the pasted data to the copied data.Īvoid replacing values in your paste area when blank cells occur in the copy area.Ĭhange columns of copied data to rows, or vice versa.I can't really make these things add up. Paste only values and number formatting options from the selected cells. Paste only formulas and number formatting options from the selected cells. Paste all cell contents and formatting except cell borders. Paste all cell contents and formatting using the theme that was applied to the source data. Paste data validation rules for the copied cells to the paste area. Paste only comments attached to the cell. Paste only the values as displayed in the cells. Paste only the formulas as entered in the formula bar. Paste all cell contents and formatting, including linked data. On the Paste Special dialog, under Paste, do any of the following: On the Home tab, under Edit, click Paste, and then click Paste Special. If the source picture is changed, this one will change too. If data is a picture, links to the source picture. Multiply the values in the paste area by the values in the copy area.ĭivide the values in the paste area by the values in the copy area.Īvoid replacing values or attributes in your paste area when blank cells occur in the copy area. Subtract the values in the copy area from the values in the paste area. Paste the contents of the copy area without a mathematical operation.Īdd the values in the copy area to the values in the paste area. The Operation options mathematically combine values between the copy and paste areas. Only values and number formatting options from the selected cells. The width of one column or range of columns to another column or range of columns. On the Home tab, click the arrow next to Paste, and then select Paste Special.Īll cell contents and formatting using the theme that was applied to the source data.Ĭell contents and formatting except cell borders. Paste the width of one column or range of columns to another column or range of columns.Ĭombine conditional formatting from the copied cells with conditional formatting present in the paste area. When you paste a link to the data that you copied, Excel enters an absolute reference to the copied cell or range of cells in the new location.Ī copy of the image with a link to the original cells (if you make any changes to the original cells those changes are reflected in the pasted image). Link the pasted data to the original data. Only the values and number color and font size formatting.Īll cell formatting, including number and source formatting. Only the values as displayed in the cells. Data in rows is pasted into columns and vice versa. Reorients the content of copied cells when pasting. Only formulas and number formatting options.Īll cell contents and formatting except cell borders. The options on the Paste menu will depend on the type of data in the selected cells:Īll cell contents and formatting, including linked data. On the Home tab, click the arrow next to Paste, and then do any of the following. Select the cells that contain the data or other attributes that you want to copy.Ĭlick the first cell in the area where you want to paste what you copied. ![]() ![]() ![]()
![]() ![]() For example, maybe you can compute a running average or something as sophisticated as a Calvin filter. If there's a graph that you'd like to create but Instruments doesn't do it natively, you can synthesize the data inside your modeler. Now, another thing that you can do is create custom graphs. And perform some more extensive calculations using the modeler's working memory. ![]() This allows your modeler to keep some running totals. You can't do it in the generated case.Īnd more importantly, maintain a working memory. That's something that you can do with a custom modeler. Such as being able to fuse data from multiple input tables. They're not really there to expose the entire feature set to you that you can do with custom modelers. But these modelers are really meant to get you an Instrument up and running quickly. Now, when do you need to create a custom modeler? It's true that Xcode will generate modelers for you, in some cases specifically when you're using OS Signpost as your input. And really, what you're looking to do is add a custom modeler or you're going to be working from our sample code that's attached to the session this year, and you're going to have that project already set up. Now, at this point we're going to assume that you already have one of these projects set up in Xcode. And that all gets built into an Instrument's distribution package, which can then be installed inside of Instruments and tested. So, you also have to define the schemas that will glue all this together in the Instrument, which will ultimately view the output of your Instrument. Now, when you create a modeler, you also have to define the other pieces of that architecture as well. So, let's start with reviewing some modeling basics. And also an important topic called speculation. ![]() Now, in the process, we're also going to talk about execution and the rules engine, Cliff's rules engine. So, this year we have sample code attached to this year's session, so you can follow along with that, or use that as the basis for your own modelers. When you get to build a custom modeler, sometimes it's tough when you do it from scratch. We're going to review some modeling basics and then we're going to walk you through the process of building a custom modeler. And that will promote simplicity in other areas, specifically when it comes to the tracing code that you embed inside your logic and also the UI that you use in Instruments. And that is basically to take the complexity of your custom instrument and absorb that in the modeling layer. So, you're going to see these themes repeat in today's session. And it also keeps the UI efficient, because the UI doesn't need to know about this placeholder convention because that's all been normalized by our modeler. It saves a ton of space in the kernel's recording buffer, especially if your threads are mostly idle. Now, another kind of optimization that's made by the kernel is if the kernel samples a thread that it knows hasn't moved since the last time it samples it, instead of taking a full back trace, it just puts a placeholder backtrace into the time sample table and then our time profiler modeler picks that up, takes the last known backtrace for that, and replicates that into the Time Profile table that's viewed by the Instrument. Now, the reason we do this is because it's a lot simpler and thus more efficient to capture these primitive backtraces, and then we can fix them up in user space later inside of our modeler and therefore we keep that recording side in the kernel very efficient. So now when the kernel takes a sample of what your thread is doing, it creates or captures what's called a primitive backtrace, and it puts that into the time sample table, which is then picked up by the Time Profiler modeler, which is then transformed into a more displayable form of the backtrace, which goes into the Time Profiler table, which is ultimately viewed by the Time Profiler instrument. Now in the Time Profiler, the data that you're seeing presented in the UI is not exactly the same as being recorded by the kernel. Now modelers are important to all of our instruments including the Time Profiler up here. So in this session, what we're going to do really is just take sort of a spotlight focus on this piece in the middle, called a modeler. Now, this architecture was covered in its entirety in our 2018 session, Creating Custom Instruments. Now, within the Custom Instruments Architecture, modeling is done by this piece in the middle here called a modeler, and the modeler's job is really to reason about the raw events that are being recorded by the operating system, perform some transformations, and create the displayable events or the input to another modeler for instruments in the Air Instruments UI. I'm a performance tools engineer for Apple and this is session 421, we'll talk about modeling in Custom Instruments. ![]() ![]() ![]() NB when you are in the "Advanced Mode" the button says "Magic Mode". Open the help PDF so you can follow the steps. Now Toast works.īelieve there is a big problem with Roxio's downloads.Īlso if you want to make your menus interesting with MyDVD it is a completely separate app to toast. Which gave me "toast_15_4486.dmg" into my Downloads folder opened the 726.4 MB file and updated. ![]() Force quit.ĭownloaded Toast 15.1 package from Roxio page: Tried to update from within the app to 15.1 but the downloading froze with endless spinning beach ball. Then reinstalled from the Toast 15 DVD that was paid for and received. ![]() Deleted everything Toast in HD Library and Home folders Library (the one Apple hides). Then uninstalled using Ton's advise as above. Bought and downloaded Toast 15 updated to 15.1 from within the app. Hopefully they will provide a real solution soon. I let Roxio Customer Support know that this failed to resolve the issues. Please do not hesitate to contact us with any further questions. Once the procedure is complete, reboot your Mac, then re-install Toast 15. You must use this procedure because this particular Library folder is hidden from view, and this is how to open hidden folders. Locate the above files in the Preferences folder that comes up and delete them. Type in "~/Library/Preferences", without the quotes. On the taskbar at the top, click on "Go", and select "Go To Folder.". You should be able to locate these files in ~/Library/Preferences. Next is to check for the files listed below. You need to remove all previous versions of Toast to avoid possible conflicts. Quit Toast, trash the entire Toast 15 Titanium folder (located in Finder > Applications), then do the same for any previous versions of Toast, if you still have any installed. Please follow the procedure below to completely remove and reinstall Toast. I understand that you are having issues with the product. My name is Ton and I have been assigned to your case. Thank you for contacting Corel Customer Support. After contacting Roxio support, I received the following instructions from "Ton", which failed to resolve the issues: ![]() ![]() ![]() We will have full support for current network protocols → Including IPv4 and IPv6.Produce network traffic statistics → Using HTML5 / AJAX technology.Alert engine → We can capture anomalous and suspicious hosts.Geolocate and Overlay Hosts → This will be done on a geographic map.Even going so far as to classify the traffic according to the source / destination. Layer 7 analysis leveraging nDPI, an open source DPI framework. Persistent traffic statistics in RRD format. Traffic analysis → High speed web based traffic analysis and flow collection using ntopng.Report on the use of the IP protocol → Even going so far as to classify it by type of protocol.Network probe → nProbe- NetFlow v5 / v9 / IPFIX extensible probe with plug-in support for L7 content inspection.Accurate traffic reproduction with disk2n. It allows to quickly retrieve packages using BPF. Traffic recording → Lossless network traffic recording of 10 Gbit and above with n2disk.Includes Libpcap support for seamless integration with legacy applications. Zero-copy package distribution across threads, applications, and virtual machines. Packet capture → Packet capture / transmission using basic hardware with PF_RING.The Professional and Enterprise versions will offer us some additional features. Ntopng is available in three versions Community: Free and open source version hosted on GitHub licensed under the GNU GPLv3, Professional y Enterprise. Ntopng is based on Redis key value server rather than traditional database, leverages nDPI for protocol discovery, supports host geolocation, and can display real-time flow analysis for connected hosts. It is based on libpcap, a Library written as part of a larger program called TCP Dump. Ntopng basically is a network traffic probe that will monitor network usage. The ntopng engine is written in C ++, while the web interface is written in Lua. Binary versions are available for CentOS, Ubuntu, and OS X. The source code versions are available for the operating systems: Unix, Gnu / Linux, BSD, Mac OS X and Windows. The name comes from " ntop next generation”. This application is designed to be a high performance, low resource consumption replacement for ntop. It will provide us with an intuitive and encrypted web user interface to explore network traffic information in real time and historically. Ntopng is an application for monitor the network traffic web-based and released under GPLv3. It's about a network traffic monitor evolved from the original program known as Ntop, which was created by the English organization of the same name in 1998. In the next article we are going to take a look at Ntopng. ![]() ![]() Investors may wish to consider higher-performing investments.īaguio Green Group’s Current Liabilities And Their Impact On Its ROCEĬurrent liabilities are short term bills and invoices that need to be paid in 12 months or less. Setting aside the industry comparison for now, Baguio Green Group’s ROCE is mediocre in absolute terms, considering the risk of investing in stocks versus the safety of a bank account. It appears that Baguio Green Group’s ROCE is fairly close to the Commercial Services industry average of 11%. ROCE is commonly used for comparing the performance of similar businesses. See our latest analysis for Baguio Green Group Is Baguio Green Group’s ROCE Good? Therefore, Baguio Green Group has an ROCE of 9.6%. Return on Capital Employed = Earnings Before Interest and Tax (EBIT) ÷ (Total Assets – Current Liabilities)Ġ.096 = HK$30m ÷ (HK$603m – HK$328m) (Based on the trailing twelve months to June 2018.) Author Edwin Whiting says to be careful when comparing the ROCE of different businesses, since ‘No two businesses are exactly alike.’ How Do You Calculate Return On Capital Employed?Īnalysts use this formula to calculate return on capital employed: In brief, it is a useful tool, but it is not without drawbacks. ![]() In general, businesses with a higher ROCE are usually better quality. ROCE measures the amount of pre-tax profits a company can generate from the capital employed in its business. ![]() What is Return On Capital Employed (ROCE)? And finally, we’ll look at how its current liabilities are impacting its ROCE. Second, we’ll look at its ROCE compared to similar companies. In particular, we’ll consider its Return On Capital Employed (ROCE), as that can give us insight into how profitably the company is able to employ capital in its business.įirst up, we’ll look at what ROCE is and how we calculate it. Today we’ll evaluate Baguio Green Group Limited ( HKG:1397) to determine whether it could have potential as an investment idea. ![]() Want to participate in a short research study? Help shape the future of investing tools and you could win a $250 gift card! ![]() ![]() ![]() The EOS C300 Mark III features Canon’s next-generation Super 35mm Dual Gain Output (DGO) Sensor. Three expansion units and user changeable lens mounts enable operators to build their ideal system for cinema or broadcasting.Ĭanon Super 35mm Dual Gain Output (DGO) Sensor The EOS C300 Mark III is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. The DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as internal RAW recording, 4K 120p High Frame Rate recording, and Dual Pixel Autofocus. The lightweight body comes equipped with Canon’s new Super 35mm Dual Gain Output (DGO) Sensor capable of over 16 stops of dynamic range. For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.Impressive usability and imaging power combine in the EOS C300 Mark III, the customizable cinema camera that’s built for versatility and flexibility. While Canon Log 2 provides the most post production flexibility and full dynamic range of the sensor, it typically requires more time in color correction. Canon Log 2 provides the largest dynamic range and image detail. Log workflows provide the user with higher dynamic range, more highlight and shadow re tention, and more flexibility in grading. In post production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone. Accessories and expansion units can be easily attached to provide different levels of functionality. Modular Design with three available Expansion Units allows a high level of connectivity and interoperabilityĪ new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Auto focus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording. The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. It combines images using pixels shot with a saturation prioritizing amplifier for bright areas, and a lower noise prioritizing amplifier for darker areas.ĭIG!C DV7 Image Processor, which powerfully processes high resolution image data The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low noise levels by reading out each pixel with different gains. The Canon EOS C300 Mark III Cinema Camera features a Super 35mm Dual Gain Output (DGO) for high dynamic range (16+ stops) Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps. The EOS C300 Mark III also is capable of achieving ultra high frame rates with its new chip design and DiG!C DV7 processor. The Canon EOS C300 Mark III Cinema Camera is capable of recording breathtaking 4K 120P High Frame Rate video.
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